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- W2497221776 abstract "In A Summer Bird-Cage, The Garrick Year, and The Millstone, as in The Second Sex, the question of autonomy is linked to matters of sex and of gender. All three of Drabble’s early heroines have trouble with sex because they believe that yielding to its “impersonal pulls” will condemn them to what de Beauvoir calls “immanence” (“confinement or restriction to a narrow round of uncreative and repetitious duties … in contrast to the freedom to engage in projects of ever widening scope that marks the untrammelled existent”, TSS, p. 58) and Sarah Bennett more simply calls “kitchens and gas-meters and draughts under the door and tiresome quarrels”. At the same time, they sense that their very identity as women is profoundly connected with their sexuality. In The Second Sex, de Beauvoir asks whether it is possible to be a woman and an autonomous and transcendent subject, thus engaging the problematic situation of women in all its complexity. By 1966, Margaret Drabble seems to have realized that it was too complex for her. So in Jerusalem the Golden she lays aside questions of sex and gender to deal with what must have seemed to her a more fundamental question: is it possible or desirable to be autonomous and transcendent?" @default.
- W2497221776 created "2016-08-23" @default.
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- W2497221776 date "1980-01-01" @default.
- W2497221776 modified "2023-09-24" @default.
- W2497221776 title "“The most female of all my books”: The Waterfall" @default.
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