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- W2497549134 abstract "In The Bull (2005) by Fabulous Beast, sind Ballads (1997, revised version 2000)1 by CoisCeim, well-known Irish myths and narratives that have played a constitutive role in the formation of national identity are reinterpreted in dance theatre pieces that perform not only a retelling of these stories, but which also highlight aspects of the construction of contemporary ‘Irish’ identity through their staging of a dialogue between body and text. The narrative of The Bull is based on the ancient Irish prose epic, Tain Bo Cuailnge (The Cattle Raid of Cooley) and Ballads is a work about the Great Irish Famine of the nineteenth century.2 As is often observed, shared myths and memories play an important role in the development of a national consciousness. Rogers M. Smith, discussing the politics of nation-building and ‘people building’, proposes that the founding and preservation of communities and political groups requires the creation of ‘constitutive stories’ that tell of a people’s defining traits and characteristics.3 The creation of national myth through these stories aids the cohesion of ‘imagined communities’, to use Benedict Anderson’s term, and as Arash Abizadeh proposes, ‘[t]his mythical element in its shared memories is what enables the nation’s common history to provide it with a motivating power’.4" @default.
- W2497549134 created "2016-08-23" @default.
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- W2497549134 date "2013-01-01" @default.
- W2497549134 modified "2023-09-24" @default.
- W2497549134 title "Choreographing Narratives: Buried Bodies and Constitutive Stories in The Bull and Ballads" @default.
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- W2497549134 doi "https://doi.org/10.1057/9781137035486_4" @default.
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