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- W2498524336 abstract "Rene d’Anjou’s loyal subjects, as depicted in Quatrebarbe’s vignette, express appreciation for their good king, thereby implying the etiology of the sobriquet, le bon roi Rene, which Provencal historians started using in the seventeenth century.1 In the end, however, Rene was not able to fulfill his oath to the Neapolitans: Alphonse entered Naples triumphantly in 1442, a fact likely to be known by Quatrebarbes’ nineteenth-century Angevin audience,2 for Naples had long been a contested object of desire for the royal family of Anjou. The vignette’s Rene is depicted in a moment when he sat high on Fortune’s wheel and in the epic characterization of an ideal leader with traits familiar from Furstenspiegel, complete with Ciceronian and Christian approbation framed in intimations of Arthurian ideals, thereby also crystallizing some traits that Rene himself seems to have deemed important." @default.
- W2498524336 created "2016-08-23" @default.
- W2498524336 creator A5062581568 @default.
- W2498524336 date "2010-01-01" @default.
- W2498524336 modified "2023-09-23" @default.
- W2498524336 title "René D’Anjou’s Negotiations with Fame: Creating for a Future Past" @default.
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- W2498524336 doi "https://doi.org/10.1057/9780230106536_3" @default.
- W2498524336 hasPublicationYear "2010" @default.
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