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- W2498906347 abstract "Most psychologists cite Karl Lashley’s 1950 paper in connection with the engram,1 the physical change or neuronal trace in the brain both ingrained, originally, and later triggered by sensory signals — visual, auditory, gustatory, olfactory and tactile. It has been commonplace to cite Proust’s madeleine episode as a classic literary illustration of the process whereby such a trigger of the senses evokes a memory. Proust called such memory events ‘réminiscences’,2 dispersed throughout his mighty 8-volume continuous novel, A la Recherche du temps perdu, composed over the period of 1908–22. Following the initial madeleine episode in volume 1 of Du Côté de chez Swann there is a cluster of such memory events in the last volume of the work, Le Temps retrouvé. These engrams specifically involve the senses: the initial madeleine one (gustatory), the musty smell in a public lavatory on the Champs-Elysées (olfactory), the uneven cobblestones in the courtyard of the Guermantes townhouse (tactile), the noise of a spoon against a plate in the Guermantes library (auditory), the feel of a starched napkin wiped against the mouth. For Proust, the senses of smell (‘l’odeur’) and taste (‘la saveur’) are the most stimulating, for they bear unremittingly ‘l’édifice immense du souvenir’; [‘the vast structure of memory’].3 The sense that is least involved is the visual one." @default.
- W2498906347 created "2016-08-23" @default.
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- W2498906347 date "2003-01-01" @default.
- W2498906347 modified "2023-09-25" @default.
- W2498906347 title "Proust and the Engram: The Trigger of the Senses" @default.
- W2498906347 cites W1992394869 @default.
- W2498906347 doi "https://doi.org/10.1057/9780230287129_5" @default.
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