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- W2499697699 abstract "Unearthing a satisfactory answer to the question of how to animate more than one voice at a time in a novel, posed in a newspaper review1 of Last Orders and implicitly addressed in the previous chapters, can be seen as one of Graham Swift’s most pressing methodological concerns as a writer. Chapter 2, on paradigms, concluded that any narrative methodology is inherently subject to some degree of authorial contamination, in spite of any theoretical aspiration towards refinement or rarefaction of the artist’s presence. The representing voices which stand between a ‘fictional reality’ and the imagination of the reader can never be truly transparent; there is an inevitable act of distortion, so that the ‘mirror held up to nature’, far from casting a perfect reflection, is very likely to have been home-made from flawed glass." @default.
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- W2499697699 date "2009-01-01" @default.
- W2499697699 modified "2023-09-24" @default.
- W2499697699 title "Graham Swift’s Last Orders: The Polyphonic Novel" @default.
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- W2499697699 doi "https://doi.org/10.1057/9780230236882_4" @default.
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