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- W2500397502 abstract "This was a period when the challenge of broadcast journalism increasingly required strategic rethinking by print journalists and editors in order to keep newsprint relevant as a way of delivering news. One significant result was an enhanced emphasis on crime intelligence. The importance of broadcast news throughout this period was, for differing reasons over time, considerable, but can be summed up in the greater immediacy of its headlines at points in the day when people were accustomed to looking for news from morning or evening papers. Lacking an ability to compete on immediacy, newspapers had to rely on the detail they provided to flesh out those headlines. Here, they had enhanced opportunities to do this in ways that, it was believed on the basis of past experience, would attract and keep the most readers: by presenting those details in the most sensational ways possible. It was also to their advantage that print journalists were not constrained by a code of conduct when generating their reportage, as broadcast journalists were. Renewed editorial emphasis on sensationalism in reportage to attract readers encouraged further excesses. Coming after a period when crime news had been increasingly restricted to murders in daily practice, a wide range of criminal events were once again included in newspapers. There are clear echoes of the Victorian emphasis on crime, but this time the sensationalism had no accompanying didactic purpose. This reportage was essentially only to entertain. The scope of the change between pre- and post-war reportage is illuminated by examining crime reportage during the Second World War." @default.
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- W2500397502 date "2013-01-01" @default.
- W2500397502 modified "2023-09-25" @default.
- W2500397502 title "Enhancing Sensationalism: 1939–1960" @default.
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- W2500397502 doi "https://doi.org/10.1057/9781137317971_7" @default.
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