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- W2500433529 abstract "The beginning of the twentieth century witnessed diverse and abundant changes in theatre throughout Europe. New experiments and ideas that contributed to the renewal of theatre practice came from all over Europe — Paris, Moscow, Berlin, and London, among others. In Portugal, these efforts to renovate were constantly ignored, blocked or subjected to surveillance. At the beginning of the century there were some brief theatrical adventures (in both a naturalistic and a slightly experimental vein), such as Araujo Pereira’s Teatro Livre (1904) and Teatro Moderno (1905); the outdoor experience of the Teatro da Natureza (1911) and Teatro da Juvenia (1924), an amateur theatre school again directed by Araujo Pereira, who is considered by many to be the first modern Portuguese director; and Teatro Novo (1925), a controversial though ephemeral initiative created by Antonio Ferro (the future director of Salazar’s Ministry of Propaganda) in 1933. But they were all soon forgotten. The Portuguese cultural situation would not change for many decades to come." @default.
- W2500433529 created "2016-08-23" @default.
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- W2500433529 date "2010-01-01" @default.
- W2500433529 modified "2023-09-23" @default.
- W2500433529 title "Safe Shakespeare: Performing Shakespeare during the Portuguese Fascist Dictatorship (1926–74)" @default.
- W2500433529 doi "https://doi.org/10.1057/9780230292444_9" @default.
- W2500433529 hasPublicationYear "2010" @default.
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