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- W2502158627 abstract "The celebrated Jewish American novelist Philip Roth is largely considered a specialist of the place-based novel, with many of his works being set in the state of New Jersey, where the young writer grew up. Most of the stories concern the travails of desperate and neurotic Jewish protagonists going through some form of life crisis, usually in particular moments of national importance. A number of critics have noted the ways in which Roth establishes connections between the individual (and the family unit) and larger national issues, especially in the American Trilogy of novels. Derek Parker Royal, for example, argues that “in the American Trilogy, what […Roth] has done is write the individual subject into the fabric of history.”1 For Royal, the novels reveal a confrontation between the individual and his historical circumstances, in which “the forces of history—American history specifically—threaten to overtake personal freedom.”2 Debra Shostak expresses similar ideas in her Bakhtinian study of Roth when she argues that “history—especially American history—recurs in Roth’s work of the 1990s with a vengeance as the principle that shapes self and other and compels storytelling.”3 However, there have also been recent attempts by critics to approach Roth’s work through a cosmopolitan theoretical lens." @default.
- W2502158627 created "2016-08-23" @default.
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- W2502158627 date "2015-01-01" @default.
- W2502158627 modified "2023-10-17" @default.
- W2502158627 title "Cosmopolitanism and Tragic Silence in Philip Roth’s American Trilogy" @default.
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- W2502158627 doi "https://doi.org/10.1057/9781137503381_4" @default.
- W2502158627 hasPublicationYear "2015" @default.
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