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- W2502192168 abstract "Following the chapters on jingju and absurdist aesthetics, this chapter takes up Gao’s sense of aesthetics, one that draws on both traditions and arguably goes beyond them. Gao has a concept of the tripartitioned self, or the actor in three parts. There is a neutral actor, the actor, performing-character, and the character. The chapter recognizes similarities to Brecht’s performance theories, but goes on to demonstrate how Gao’s dramaturgy activates his tripartitioned actor in different ways. The chapter introduces a semiotic lens to demonstrate this and takes up the importance of language in Gao’s work and how it disrupts identity." @default.
- W2502192168 created "2016-08-23" @default.
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- W2502192168 date "2014-01-01" @default.
- W2502192168 modified "2023-09-23" @default.
- W2502192168 title "The Actor in Thirds: Gao’s Theory of Performance" @default.
- W2502192168 doi "https://doi.org/10.1057/9781137440747_4" @default.
- W2502192168 hasPublicationYear "2014" @default.
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