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- W2502667260 abstract "The “problematic” concept of an exclusive human subjectivity may well be revealed in stories that link the animal with the woman, Plumwood’s “feminine sphere,” as we see in this chapter on Chaucer’s Squire’s Tale.1 The emphasis in the tale becomes one of comfort and subsistence, two areas defined by gender and now by species. With the Canterbury Tales, Geoffrey Chaucer moves from the psychological schema inherent in dream visions to the overtly representational, dramatic genre(s) of the story within the story, and this move affects the experimentation that Chaucer conducts with voice, most interestingly, once again with the voice of the nonhuman. And with the Squire’s Tale, we enter into the romance genre, the highly self-conscious accounting of the “other” world, the exotic world, with its social dimensions intact and valuative. Romance demands a more externalized perspective than the highly psychological dream vision with its internal self-conscious obsession. This genre has also given us the ultimate mediator of magic, the character of Merlin, wizard and eagle guide to Arthur, for the merlin, like the falcon of this tale, is another bird of prey. Arthur’s guide is both similar and dissimilar to Geffrey’s eagle in the House of Fame." @default.
- W2502667260 created "2016-08-23" @default.
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- W2502667260 date "2011-01-01" @default.
- W2502667260 modified "2023-09-23" @default.
- W2502667260 title "The Squire’s Tale: Romancing Animal Magic" @default.
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- W2502667260 doi "https://doi.org/10.1057/9780230337893_4" @default.
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