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- W2505364603 abstract "From the perspective of her career-narrative, 1823 was an important year for Felicia Hemans. To all appearances she was permanently stabled at the House of Murray as one of the great publisher’s eminent writers; she wielded the kind of clout that convinced the Covent Garden management that putting on one of her plays would be lucrative;1 and Thomas Campbell, the editor of the New Monthly Magazine, recognized the value of her lyrics which had become, according to Henry Chorley, invaluable to the ‘lighter periodicals of the day’.2 Hemans exploited her clout by publishing the kind of poem that she had been wanting to compose and had not been seen before: a serious, protracted poem that takes as its subject the psychological landscape of womanhood, The Forest Sanctuary. Unfortunately for Hemans, the experiment was not commercially successful. Hemans was thrown back upon the kind of writing that was commercially viable: the short lyric." @default.
- W2505364603 created "2016-08-23" @default.
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- W2505364603 date "2001-01-01" @default.
- W2505364603 modified "2023-09-27" @default.
- W2505364603 title "Felicia Hemans and the Shifting Field of Romanticism" @default.
- W2505364603 cites W1597798703 @default.
- W2505364603 doi "https://doi.org/10.1057/9780230389564_8" @default.
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