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- W2505604616 abstract "Abstract The performance of Horace's Carmen saeculare by a chorus of youths and maidens at the ludi saeculares celebrated by Augustus in 17 BCE offers an occasion for asking why it matters if a poem was actually performed. This poem and the inscription of the acta of the festival are both highly concerned with the media of their own production and recording. Analysis and commentary emerge as acts as socially important as ritual performance. Horace's claims that the chorus' prayers will actually be answered by the gods is a gesture of performative empowerment." @default.
- W2505604616 created "2016-08-23" @default.
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- W2505604616 date "2009-10-15" @default.
- W2505604616 modified "2023-10-16" @default.
- W2505604616 title "5 At the Limits of Performativity: The <i>Carmen saeculare</i>" @default.
- W2505604616 doi "https://doi.org/10.1093/acprof:oso/9780199545674.003.0005" @default.
- W2505604616 hasPublicationYear "2009" @default.
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