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- W2505688221 abstract "To Kill the Voice? To make it recede, at least into a ‘presque disparition vibratoire’ a Mallarmean or diacritical poetics. Or to have the notion of the author — and with it, possibly, of authority — disappear. No wonder that obverse simplifications assert themselves: on the one hand, the insistence that there is no meaning without a certifiable authorial intention; and, on the other, that there is no authority except by imposition. There is also the device of shifting much of the burden onto a reader who now becomes a co-author, as in the recent revival of Rezeptionsgeschichte on a structural basis. I am myself guilty of simplifying here, but I wish to suggest how troubled the contemporary spectrum of aesthetic theories is by the often unacknowledged issue of literary or spiritual authority. (Geoffrey Hartman, ‘The Fate of Reading’, 1975)" @default.
- W2505688221 created "2016-08-23" @default.
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- W2505688221 date "1993-01-01" @default.
- W2505688221 modified "2023-10-05" @default.
- W2505688221 title "Self As Region: The Case of Conrad" @default.
- W2505688221 cites W2801009301 @default.
- W2505688221 doi "https://doi.org/10.1007/978-1-349-11505-1_8" @default.
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