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- W2506080903 abstract "As do certain aleatory or chance techniques, the improvisational has had a long history in twentieth-century avant-garde art—from surrealist and dada experiments to the situationists to the music of John Cage—and may be considered part of an avant-garde commitment to joining art and everyday life in a process of mutual interaction and transformation. This improvisational tendency also may be considered part of a performative modality that defines reality in terms of process, flow, interaction, play, and participation, and that has been called the unifying mode of the postmodern. As a root metaphor or model, performance finds parallel expression in a variety of art forms and in the boundary breaks between forms. Performative works promote the values of immediacy, spontaneity, change, openness, transitoriness. They are less aesthetic objects than generating environments or open-ended fields of action that promote the intrinsic value of the improvisational experience itself rather than any product or object that may result from it." @default.
- W2506080903 created "2016-08-23" @default.
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- W2506080903 date "1999-01-01" @default.
- W2506080903 modified "2023-10-17" @default.
- W2506080903 title "Nomads at Home: Improvisation in the Academy" @default.
- W2506080903 cites W2037195512 @default.
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- W2506080903 doi "https://doi.org/10.1057/9780312299712_20" @default.
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