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- W2506991177 abstract "Until the arrival, in 1749, of identifiable actors and managers in the eastern part of the American continent, the nature and practice of theatrical performance are matters almost entirely of historical conjecture. What records exist of theatrical activity make little or no mention of playhouses, scenery, or modes of performance. We know from at least one instance in the sparse chronicles of colonial theatre that, in 1665, three young men, who were accused of “acting a play of ye Bare and ye Cubb, on ye 27th of August” (quoted in Odell, 1, 4), were ordered to appear in court in “those habilments that they acted in” before the judge in Accomac County, Virginia. Whether it was the costumes they wore or the excerpts from the play they recited for the judge’s edification, we know that he was persuaded to find them not guilty." @default.
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- W2506991177 date "1998-02-28" @default.
- W2506991177 modified "2023-09-24" @default.
- W2506991177 title "Scenography, stagecraft, and architecture in the American theatre: beginnings to 1870" @default.
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- W2506991177 doi "https://doi.org/10.1017/chol9780521472043.010" @default.
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