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- W2507316594 abstract "AbstractThe convergence between the artistic turn in ethnography and the ethnographic turn in art is particularly manifested in an artist’s life and work. In this article, the life and work of a selection of young Korean artists in London are analysed from an autoethnographic perspective. The term ‘performative-we’ is suggested for the multisensory and collective form of the performance of autoethnography, which is conducted for the pursuit and realisation of the beauty in aesthetics and truth in ethics of the self. The specificities of the young Korean artists’ performative-we may be categorised as follows: denudation and the masquerade of the self in terms of singularity; collective implementation of art in society; and the invention of the aesthetics of otherness in a political aspect. In attempting to avoid the risk of romanticising the instability and hardship underlying the artists’ life and work, it is argued that their voluntary and active performance of otherness is crucial in the invention of an..." @default.
- W2507316594 created "2016-09-16" @default.
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- W2507316594 date "2016-05-03" @default.
- W2507316594 modified "2023-09-24" @default.
- W2507316594 title "Performative-we: multisensory and collective performance of selected young Korean artists in London" @default.
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- W2507316594 doi "https://doi.org/10.1080/02560046.2016.1205328" @default.
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