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- W2510124097 abstract "French baroque polyphonic masses are preserved in three sorts of printed and manuscript sources : separate parts, choir books, scores. A same mass can then be known in various formats, each of them showing a particular picture of the work. An analysis of the circumstances in which these different sources were prepared helps one to understand their functions in baroque church music. This article presents a fresh reading of these works by taking into account the sociological and material modes of their composition, preservation, and diffusion. It also suggests to unite the already known concept of «occult polychorality» with that of «induced scoring» in the performance of church baroque music." @default.
- W2510124097 created "2016-09-16" @default.
- W2510124097 creator A5086901886 @default.
- W2510124097 date "2000-01-01" @default.
- W2510124097 modified "2023-09-26" @default.
- W2510124097 title "L'Art du maitre de musique: Essai sur la fonction des sources musicales de la messe polyphonique en France aux XVIIe et XVIIIe siecles" @default.
- W2510124097 doi "https://doi.org/10.2307/947401" @default.
- W2510124097 hasPublicationYear "2000" @default.
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