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- W2519264920 abstract "The early twentieth-century histories of cinema and modem dance happen to coincide with the European avant-garde's development of abstraction in painting. But even as film studies, new media, and body based arts become more present in art history departments around the world, the more or less official story that students are taught about abstraction's origins has changed little from the medium-specific, formalist paradigms put forth by Clement Greenberg, and continued by later structuralist revisions: that Modernist abstraction resulted from a century of autonomous and self-reflexive change within the mediums of painting and sculpture." @default.
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- W2519264920 date "2012-01-01" @default.
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- W2519264920 title "The Medium is a Muscle: Abstraction in Early Film, Dance, Painting" @default.
- W2519264920 doi "https://doi.org/10.1057/9781137026132_4" @default.
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