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- W2520032155 abstract "Music has represented the nation throughout modern history, but especially since the eighteenth‐century Enlightenment, when Johann Gottfried Herder began to refer to songs associated with modern nation‐states as Volkslieder (folk songs). Music represents the nation by containing either national or nationalist traits; the former employ a nation's internal cultural markers, the latter emphasize contested areas and populations through external cultural markers. Music and nationalism interact to form many genres at numerous socioeconomic levels: folk music, art music, sacred music, popular music—all can be mobilized in the name of the nation. Music had a considerable affective presence in the narration of national histories, as these became more global through the nineteenth century and the postcolonial era during the twentieth. In the twenty‐first century, music and nationalism have a considerable presence in the lives of most people worldwide, mediating the mobility of population groups across national borders and the ideologies conveyed in national popular musics." @default.
- W2520032155 created "2016-09-23" @default.
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- W2520032155 date "2015-12-30" @default.
- W2520032155 modified "2023-10-13" @default.
- W2520032155 title "Music and Nationalism" @default.
- W2520032155 doi "https://doi.org/10.1002/9781118663202.wberen454" @default.
- W2520032155 hasPublicationYear "2015" @default.
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