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- W2523392022 abstract "This chapter develops a speculative account of the role that listening and architecture may have in reconfiguring the desire of anthropology to know the other through the face-to-face encounter. It stages three heterogeneous scenes of listening: the libretto and scenography for Luciano Berio's music theatre work, La Vera Storia, the staging of the conditions of self-knowing in the Phaedrus and some miscellaneous speculations about the visageite of the wall. Through these scenes the wall is explored as a site of whispering, a gathering place of echoes and the place where it is proposed that anthropological insights may be had in recognizing that listening is always a matter of listening in and overhearing and being overheard." @default.
- W2523392022 created "2016-09-30" @default.
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- W2523392022 date "2016-03-01" @default.
- W2523392022 modified "2023-09-25" @default.
- W2523392022 title "The saving face of death: anthropology and the scene of knowing" @default.
- W2523392022 doi "https://doi.org/10.7228/manchester/9780719085055.003.0006" @default.
- W2523392022 hasPublicationYear "2016" @default.
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