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- W2524247804 abstract "As the Internet has become increasingly integrated into people’s everyday lives, it hasbecome increasingly important to consider the opportunities it provides for socialinteraction, self-presentation and self expression. Online spaces have often beenconsidered to be quintessentially postmodern in potentials, allowing for play andexperimentation detached from local geographic contexts and disconnected from visualmarkers of difference such as gender and ethnicity. Debates about affordances andpotentials of online interaction have been reframed by several emergent trends inInternet usage encapsulated in the term ‘Web 2.0 networked social media’- includingsocial networking and media sharing sites such as Facebook, Twitter and Flickr. Thesesites represent a renewed focus on the production of an ‘authentic’, often visuallyrepresented self online, strongly grounded in both offline and online networks ofexperiences, locations, relationships and contacts. These occupy a differing, interestingset of positions with respect to theories of contemporary identity and sociality,emphasising authenticity and permanence and embedding the individual in localcontexts rather than emphasising anonymity and fluidity.This PhD investigates the impact of these trends, broadly examining gender, self-presentation,identity and interaction in the context of contemporary online spaces.Examining self-presentational and interactional practices and the display of taste online,this thesis will argue that the concept of ‘authenticity’ is a crucial structuring factoracross all aspects of contemporary online interaction. The thesis will explore andexamine the implications of this discourse of authenticity which delineates theboundaries of acceptable online self-presentation and interaction, and yet lies in tensionwith the complexities of impression management across the complex merged audiencesbrought together on social networking sites. The uncertainties and ambiguities of themerged audience here provoke a reflexivity which leads to a reaffirmation of anessentially unreflexive, pre-social self as ‘authentic’. Taking into account the need toaccount for agency and reflexivity the thesis will work towards an understanding ofonline self-presentation, gender and identity which incorporates the multiple narrative,performative and aesthetic aspects of identity." @default.
- W2524247804 created "2016-10-07" @default.
- W2524247804 creator A5051579785 @default.
- W2524247804 date "2015-07-01" @default.
- W2524247804 modified "2023-09-23" @default.
- W2524247804 title "Defining the ‘authentic’: identity, self-presentation and gender in Web 2.0 networked social media." @default.
- W2524247804 hasPublicationYear "2015" @default.
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