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- W2525935784 abstract "She one-woman shows of Anna Deavere Smith combine journalism and performance art to explore the oftenviolent misunderstandings among different cultural communities. For both Fires in the Mirror: Crown Heights, Brooklyn, and Other Identities (1993) and Twilight: Los Angeles, 1992 (1994), Smith interviewed many of the actual protagonists in two traumatic urban conflicts that had riveted the nation. By deft editing, she then turned their words into a series of dramatic monologues and by imitation transformed their language, vocal mannerisms, gestures, and clothes into theatrical experiences that test the audience's social conscience. As Anne Anlin Cheng observes, On Smith's multiethnic stage, it is precisely the ethical question of point of view that is being explored, as diverse characters move back and forth between grief and grievance, or between a mourning for loss and a demand for justice (171). In Fires in the Mirror, the ensuing cacophony grows most heated when speakers invoke the rhetoric of holocaust, including the Jewish Holocaust and the black experience of enslavement.1 There is something both illuminating and limiting" @default.
- W2525935784 created "2016-10-07" @default.
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- W2525935784 date "2016-01-01" @default.
- W2525935784 modified "2023-09-27" @default.
- W2525935784 title "Other People's Holocausts: Trauma, Empathy, and Justice in Anna Deavere Smith's Fires" @default.
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