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- W2530342964 abstract "The idea of immersive mixing is not new. Yet, the concept of adapting it to achieve an emotional story telling and audience control is still something that can be pushed forward. Looking at the developments happening in the world of cinema and home audio, the idea of bringing the spectator to engage with the story is now a reality. The Idea is to propose various techniques of mixing and audio processing along with the emotional impact into this world so that the artistic intention of the creator with the viewer is bridged and rather than having an audience that sees a movie, it is time to have the audience experience the story. It will span from the art of psychological placements of sounds to designed and interpreted spaces that replicate a human emotion when replayed." @default.
- W2530342964 created "2016-10-21" @default.
- W2530342964 creator A5073175449 @default.
- W2530342964 date "2016-01-01" @default.
- W2530342964 modified "2023-09-27" @default.
- W2530342964 title "Reverse engineering emotions in an immersive audio mix format" @default.
- W2530342964 doi "https://doi.org/10.1049/ibc.2016.0048" @default.
- W2530342964 hasPublicationYear "2016" @default.
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