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- W253200396 abstract "LINDA SIEGEL. Music in Romantic Literature: A Collection of Essays, Reviews and Stories. Novato, California: Elra Publications, 1983, xii. 287 pp. With her book. Music in Romantic Literature: A Collection of Essays, Reviews and Stories, Linda Siegel offers an interesting, wellwritten, carefully edited, but somewhat puzzling contribution to subject of interrelationship between and during period of Romanticism. The title of any book, but especially title of an interdisciplinary study such as this one, should indicate quite clearly what reader can expect to find. Given book's title, this reviewer was somewhat surprised by choice of texts. Although some of well-known Romantics, Tieck, Arnim, Kleist, Eichendorff, and Korner, are represented, there are also almost thirty pages devoted to Ludwig Borne, a name which is not associated with Romanticism either in standard histories or in annual bibliographies of literature. E.T.A. Hoffmann, author of one of most well-known Romantic texts dealing with music, is completely absent. Robert Schumann, another name not usually associated with literature, though certainly with Romantic music, is last name on table of contents page. The preface and introductory chapters provide an explanation for this outwardly slightly curious choice of texts, but also reveal one of problematic aspects of this study. Because of attention that is normally given to writers such as Wackenroder, Hoffmann, Jean Paul Richter, and to a lesser extent, Novalis, Brentano, and Heine, Linda Siegel has chosen to focus on equally important participants in this literarymusical Gesellschaft [who] are less well-known for their use of in literature (p. xi). The underlying reason for focusing on these unfamiliar texts is not to modify prevailing coverage of in literary criticism, but rather to show that German Romantic is one of prime musicological sources for study of Romantic music and that the literary efforts of Romantic authors played a most important role in shaping musical aesthetics of Romantic (p. xi). Thus stated purpose of this book is not to study role of in Romantic but to study role of in Romantic music. This reviewer found that something of a tension exists in book as a whole between a musicological and a literary orientation. The bibliography seems weighted in favour of Romantic and offers only a few references to discussions of Romantic or romanticism in music. The four main introductory chapters have a stronger musicological focus. The first provides biographical information on Romantic writers, showing which ones received musical training or were acquainted with musicians of period. The second describes reform in Protestant church that was launched by Johann Georg Hamann and Gottfried Herder and that culminated in Caecilian Movement. The third chapter describes musical genres that received greatest prominence in writings of Romantics and offers insights into role of Romantic writers as musical critics. The fourth chapter analyzes manner in which Romantic writers and composers sought to translate world of nature into musical tones. Although Siegel has brought together considerable material from both musicology and literary criticism, proof that musical aesthetics of Romantic writers strongly influenced Romantic composers is often illusive. Statements such as Guided by theories of Wackenroder, Hoffmann in his Alte und Neue Kirchenmusik . …" @default.
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- W253200396 title "Music in German Romantic Literature: A Collection of Essays, Reviews and Stories" @default.
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