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- W2534375278 abstract "This chapter, considers two further key terms and their relation: superstition and iconology. The chapter offers an extended discussion of Castellucci’s production On the Concept of the Face, Regarding the Son of God; and also addresses the example of Bunraku with Barthes and Latour. Again, this chapter explores the question of anachronism in art practice, of what is symptomatic (not chronological) in and for an understanding of cultural memory when considering the life of the dead, within theatre at least." @default.
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- W2534375278 date "2016-01-01" @default.
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- W2534375278 title "Chapter 4 Superstition and an Iconology" @default.
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- W2534375278 doi "https://doi.org/10.1057/978-1-137-47872-6_5" @default.
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