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- W2549005575 abstract "The aim of this article is to offer a systematized revision of thoseStanley Kubrick movies that shaped the foundations that unified his filmicnarrative. It intends to do so by sketching sorne basic, though thoughtprovoking,lines on the obsessions of Stanley Kubrick's conceptualworld, both from a thematic -e.g. the conflicts ofthe characters with theenvironment, the human being's fascination for technology and for theanthropomorphic impostures, the world about to collapse, the importanceof performance inside fiction, etc- and a formal -e.g. travellings, reversetrackings, zoom-out, voice over, hand camera, etc- point ofview.To restrict the corpus o[ analysis I want to revise those films that wereabsolutely under Kubrick's control. This creative control, inKubrick's sense ofthe term, only took place fromLolita (1962) onwards. Thus,the following films will be taken into account: Lolita (1962), Dr. Strangelove orHow I Learned to Stop Worryingand Lave the Bomb (1963), 2001: A SpaceOdyssey (1968), A Clockwork Orange (1972), Bany Lyndon (1975), TheShining (l980), Ful! Metal Jacket (1987) and Eyes Wide Shut (1999).If the aforementioned features give Kubrick's work a sense ofstylistic, formal and thematic congruity, it is also the aim ofthis article toinsist on the detailed revision ofthose features as they work in the picturesfrom the previous corpus, as a sort of systematic rereading of the Kubrickianuniverse and its conceptual categories." @default.
- W2549005575 created "2016-11-11" @default.
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- W2549005575 date "2003-01-01" @default.
- W2549005575 modified "2023-09-28" @default.
- W2549005575 title "Truth in the pleasant disguise ofillusion: Los mundos conceptuales de Stanley Kubrick" @default.
- W2549005575 hasPublicationYear "2003" @default.
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