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- W2549130521 abstract "ABSTRACTAn autoethnography of a marriage and its demise, this work relies on the reflective modality of the lyric essay to consider the role of memory in love, heartbreak, and reconciliation. Examining two characters from different cultures whose ancestors fought for opposing sides during World War II, this story wonders if their marriage was doomed by history and the silences of intergenerational shame that emerged in Germany particularly during the post-war occupation period. Using the methodology of the witnessing imagination this essay also argues that creative writing gives shape to traumatic historical events and allows remarkable access to complex processes of recovery. Two poets—Kenneth Slessor and Joseph Brodsky—are employed as metaphoric soldiers fighting over the terrain of memory alongside the ‘witness’ author, interrogating personal issues about the on-going heartbreak of a failed marriage which come to symbolise larger concerns of social and political reconciliation. The notion of memory’s i..." @default.
- W2549130521 created "2016-11-30" @default.
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- W2549130521 date "2016-11-14" @default.
- W2549130521 modified "2023-09-24" @default.
- W2549130521 title "How to Drown a Husband: Five Bells, Four Chambers, and Saturday Nights at Sea" @default.
- W2549130521 cites W2041863122 @default.
- W2549130521 doi "https://doi.org/10.1080/14484528.2016.1250613" @default.
- W2549130521 hasPublicationYear "2016" @default.
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