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• W2549208415 abstract "This article situates the novel-as-mashup, first popularised by Seth Grahame-Smith’s Pride and Prejudice and Zombies (2009), within twenty-first-century neo-Victorianism. Using several key examples of these mashup texts, it embarks on a discussion of postmodernism’s ironic nostalgia, exploring the limits of such irony through questions of hermeneutics and ethics that are currently relevant in the field of neo-Victorian studies. Is it possible to find any stable meaning (or meaningful irony) in a text that is made up of other texts? What happens when texts are wilfully or inadvertently misread, and how do we approach instances where misreading causes harm, or reproduces problematic ideologies? Can texts that do not use the past seriously still be ironic, and if not, what does this mean for commercial, parodical genres like the novel-as-mashup?" @default.
• W2549208415 created "2016-11-30" @default.
• W2549208415 creator A5038724529 @default.
• W2549208415 date "2017-05-26" @default.
• W2549208415 modified "2023-10-16" @default.
• W2549208415 title "“Now with Ultraviolent Zombie Mayhem!” The Neo-Victorian Novel-as-Mashup and the Limits of Postmodern Irony" @default.
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• W2549208415 doi "https://doi.org/10.1163/9789004336612_011" @default.
• W2549208415 hasPublicationYear "2017" @default.
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