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- W2549274295 abstract "Ted Shawn’s all-male modern dance company, Ted Shawn and His Men Dancers, toured extensively throughout the United States from 1933 to 1939 with the explicit goal of making concert dance a legitimate career for men. Shawn trained his dancers and choreographed their performances with careful attention to theme and movement aesthetic, proffering a version of modern dance meant to counter prevailing cultural prohibitions against men dancing. One of the company’s early works, Labor Symphony (1934), depicts the evolution of work from field to factory while critiquing the equation of the male body with labor power within capitalist economic systems; it also presents itself as labor, countering modern preoccupations with bodies enervated through repetitive movement or sedentary work, and with alienation from community through overly individuated tasks. The dance exemplifies Shawn’s novel movement aesthetic while expanding notions of productive labor by placing work itself in the context of performance. Emphasizi..." @default.
- W2549274295 created "2016-11-30" @default.
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- W2549274295 date "2016-09-01" @default.
- W2549274295 modified "2023-09-24" @default.
- W2549274295 title "Ted Shawn’sLabor Symphony: aesthetic work and productive performance" @default.
- W2549274295 cites W1567939641 @default.
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- W2549274295 doi "https://doi.org/10.1080/0740770x.2016.1248652" @default.
- W2549274295 hasPublicationYear "2016" @default.
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