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- W2551295164 abstract "Between the start of the Japanese colonial period in 1895 and the mid-twentieth century, Taiwan changed from a conservative community-oriented society to a modern civil one. Large-scale urbanization projects created several metropolitan centers. The so-called ―New Landscape‖ (Xin Dijing 新地景) created a new form of public space and changed the nature of Taiwan’s ―local‖ landscape. This transformation prompted artists to search for new ways to de ne and represent their time. They asked questions such as: What is a ―modern artist‖? What issues must ―modern art‖ confront? What is Taiwanese ―modern art‖? These questions re ected a con ict between the modern and traditional and signalled a challenge to of cial cultural policy. Focusing on the impact of the new urbanization upon artists, this paper explores the shaping of ―New Landscape,‖ speci cally relating it to the development of public culture and the transformation of lifestyle in modern Taiwan. Beginning with the Treaty of Shimonoseki (1895), which brought Taiwan under Japanese rule, and continuing with the colonial government’s various ―modernization‖ reforms based on Western models, Taiwan gradually changed from a traditional society to a contemporary civil society. Over time, the ―New Landscape‖ (Xin Dijing 新地景) involving modern Westernstyle infrastructure gradually superseded the ―local‖ character of traditional Ming and Qing society. At the same time, Taiwan’s urban living space became more public, representing the multifaceted and modern lifestyle of modern citizens. Although the establishment of the government-sponsored Taiwan Fine Arts Exhibition (Taiwan Meishu Zhanlanhui 台灣美術展覽會, 1927–36) and the Governor-General’s Exhibition (Zongdufu Meishu Zhanlanhui 總 督府美術展覽會, 1938–43) had a de nite impact on the formation of ―New Art‖ during this period of modernization, colonial-era artists generally sought to construct ―local color‖ (difan secai 地方色彩). In this process of discovery, the encounters between the new and the old inevitably increased" @default.
- W2551295164 created "2016-11-30" @default.
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- W2551295164 date "2011-01-01" @default.
- W2551295164 modified "2023-09-23" @default.
- W2551295164 title "Modernity in Agony: Contemporaneity, Landscape, and the Representation of Modern Life in Colonial Taiwanese Art" @default.
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- W2551295164 hasPublicationYear "2011" @default.
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