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• W2552820498 abstract "Hill examines the differing theoretical frameworks, e.g., subculture and scene, used to examine hard rock and metal fans, arguing that these have worked to the detriment of understanding the gendered experience of music, including taking pleasure in the music. She proposes a new way of thinking about fandom that incorporates fans’ feelings of community. Drawing on Anderson’s (Imagined Communities: Reflections on the Origin and Spread of Nationalism. Verso, 1991) theory of the nation, and feminist writings on community (Weiss and Friedman, Feminism and Community. Temple University Press, 1995), she argues that ‘imaginary community’ better reflects fans’ sense of community, whilst allowing deep consideration of the ideology of the community with particular reference to values, beliefs, traditions and myths. She argues that these are deployed to create a sense of cohesion in spite of inequalities and unacknowledged privileges." @default.
• W2552820498 created "2016-11-30" @default.
• W2552820498 creator A5028636320 @default.
• W2552820498 date "2016-01-01" @default.
• W2552820498 modified "2023-10-16" @default.
• W2552820498 title "Hard Rock and Metal as an Imaginary Community" @default.
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• W2552820498 doi "https://doi.org/10.1057/978-1-137-55441-3_2" @default.
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