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- W2553529565 abstract "Theory has both enriched contemporary Chinese literary studies and generated discontent. Rather than uncritically embracing or rejecting theory, this chapter probes the discourse of Chinese literary thought in Chinese modernity as an engagement with Chinese traditions as well as modern Western theoretical practice. Contrary to the perception that the May Fourth era was a period of total antitraditionalism, intellectuals at the time appear to have been radical comparativists when analyzing foreign importations and traditional legacies. This chapter introduces three cases—the dictum of<italic>shi yan zhi</italic>(“poetry is that which expresses what is intently on the mind”), the trope of<italic>xing</italic>(“affective evocation”), and the dialogic of<italic>shishi</italic>(“poetry as history”). By bringing literary thought to bear on theoretical engagement on one hand and textual studies on the other, we can reengage theory critically as a movement across cultures that shapes and is shaped by its different contexts." @default.
- W2553529565 created "2016-11-30" @default.
- W2553529565 creator A5071195307 @default.
- W2553529565 date "2016-09-01" @default.
- W2553529565 modified "2023-09-23" @default.
- W2553529565 title "Chinese Literary Thought in Modern Times" @default.
- W2553529565 doi "https://doi.org/10.1093/oxfordhb/9780199383313.013.31" @default.
- W2553529565 hasPublicationYear "2016" @default.
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