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- W2553673125 abstract "The multicharacter biographies of hip hop artists, consumers, and distributors in post-Yugoslav spaces (ex-YU) straddle a period of seemingly never-ending, teleologic ‘transitions.’ The business models of regional music industries have also dramatically changed after the emergence of new forms of digital distribution. These transformations each occur within broader, often violent shifts from self-managed state socialism to clientelistic neoliberalism. I analyze artists’ discussions of professional limitations and the debates surrounding brand acts, or artists’ symbolic range of ambivalent, critical, and pragmatic stances toward media industries. Artists often compare the precarious present of a marginal position within the record business in ex-YU using frames that reference foreign and past elsewheres, including an era of ‘good life’ socialism. A debate has emerged as to whose future a new present laden with brands and industry regulation best serves." @default.
- W2553673125 created "2016-11-30" @default.
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- W2553673125 date "2016-09-01" @default.
- W2553673125 modified "2023-10-16" @default.
- W2553673125 title "Debating the Industrial Limits of Domestic Hip Hop" @default.
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- W2553673125 doi "https://doi.org/10.1086/688642" @default.
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