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• W2555019997 abstract "Books are made out of books, said Cormac 1992 (Woodward). Call it something like Ishmael, Huckleberry M- Finn, or Sal Paradise on horseback; All the Pretty Horses uses travel, distance, and disorientation as narrative modes. novel also has intriguing parallels to the life story of an important secondary figure twentieth-century literature, Arnold Samuelson.1 Samuelson visited Ernest Hemingway Key West 1934-5 and became the subject of an Esquire article-Monologue to the Maestro-in which Hemingway describes the arrival of the young Midwesterner to his home and their conversations about writing and literature. By the late 1940s Samuelson had settled just north of San Angelo Robert Lee, Texas, where he worked as a ranch-hand and did other odd jobs. Samuelson continued writing and published a short story, Mexico for Tramps, about a downtrodden American's travels Mexico. Samuelson's wife left him and lit out for California, and late life he was involved an infamous courtroom drama about the proprietorship of a horse. After an examination of Samuelson's life, this article looks into some of the uncanny similarities that All the Pretty Horses has with the Maestro's life after he left Key West.Hemingway and McCarthyCormac McCarthy's literary allusions to Hemingway have been the subject of a significant amount of criticism. Allan Bilton contends that had a formal debt to Hemingway (qtd. Hage 49-5) and Peter Josyph said that in All the Pretty is Hemingway: he is what Hemingway would have been had he lived to be Cormac McCarthy (63). In a comprehensive treatise on the topic titled A Bell That Tolled and Ceased Where No Bell Was: Hemingway and All the Pretty Horses, James Cutchins maps McCarthy's novel through the lens of its veiled references to For Whom the Bell Tolls. In the film version of Road, the town of Hemingway, South Carolina appears conspicuously on the map that the man and boy review at a roadside. (While the actual town is about thirty miles inland, the film it appears on the Atlantic coast.) In the vast body of scholarly literature on All the Pretty nonetheless, the narrative's apparent connections to Hemingway's friend and boatmate, Arnold Samuelson, have yet to be explored.Arnold Samuelson was born 1912 White Earth, North Dakota to Norwegian immigrants. After being expelled from the local high school for pranks, he went on to be valedictorian of nearby Tioga High School and later matriculated at University of Minnesota.2 While Samuelson would make several adventurous trips around America, Mexico, and the Caribbean, his personal life was colored by horrific tragedy. In 1931 he was nineteen years old and studying Minneapolis. Samuelson's 24-year-old sister, Hedvig, lived Phoenix where she eked out a living as a physician's assistant. Following a spat over the doctor's affections, a woman named Winnie Ruth Judd shot Arnold's sister and another woman at close range. Judd dismembered the Fledvig's body and put it a trunk. She took the grisly baggage on the Golden State Limited Line to Los Angeles, where station porters investigated the smell emanating from her things. They imagined that there was a dead deer inside; by the time they saw the body, Judd had fled into the street. Tier baggage was tracked to an address Los Angeles where she was later arrested. In a trial that made headlines around the country, Judd was convicted of The Trunk Murders and sentenced to hang. She was ultimately committed to a mental institution.Samuelson was working as an assistant the Minneapolis Tribune as the stories about his sister's murder came across the wires. young man left school for a period. Flis parents were never the same. next few years of Samuelson's life were whimsical their intent and gloomy their affect. Eight months after the homicide, Samuelson and his friend Kenneth Schmidt spent a winter traveling down through Texas, over to California, and up to the Pacific Northwest. …" @default.
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• W2555019997 date "2014-01-01" @default.
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• W2555019997 title "Cormac McCarthy's Debt to Ernest Hemingway's Maestro: Allusions to Arnold Samuelson in All the Pretty Horses" @default.
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• W2555019997 doi "https://doi.org/10.5325/cormmccaj.12.1.0089" @default.
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