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- W2559924714 abstract "That crime forms the staple diet of media reporting has long been acknowledged. Yet, not every crime sells and even within the same category of offending there are huge variations as to what makes a particular case newsworthy. Some murder stories barely cause a ripple, while others simply will run and run, generating headlines for years to come as the investigation turns into arrest, trial, appeal and, in some instances, retrial and exoneration. What is more, rather than just generating interest in the local or national press, some stories will command worldwide media interest. A few do not even require the spectacle of a trial to keep the media interest alive: the case of Madeleine McCann, the British child who disappeared on holiday in Portugal in 2007, has been making the news globally on and off for nearly a decade, despite the fact that her fate is still unknown and not a single suspect has been put on trial. The Internet and social media are capable of amplifying the geographical reach of such stories, increasing pressure on the police and other authorities to investigate or solve a case, or sometimes reopen it. In December 2015, it was a much-talked-about documentary by Netflix, the US-based on-demand channel streaming over the Internet, that provoked international outcry over the murder conviction of Steven Avery in Wisconsin. Online petitions generating more than 380,000 signatures against his conviction were indicative of a global response to what would have remained a local case with limited topicality without the online exposure." @default.
- W2559924714 created "2016-12-16" @default.
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- W2559924714 date "2016-01-01" @default.
- W2559924714 modified "2023-09-27" @default.
- W2559924714 title "Introduction: Transmedia Crime Stories" @default.
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- W2559924714 doi "https://doi.org/10.1057/978-1-137-59004-6_1" @default.
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