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- W2564165030 abstract "Summary The use of several substances, commonly known as drugs, increased considerably from the fifties onwards. Use, habit and dependence were linked as cause and effect to economic, health-related and political implications, which contributed to the emergence of the “drug problem” and addiction. The media played an important part in the origin, in the decade of the seventies, of the stereotype of the drug addict as an individual who injected heroine. This stereotype was also assumed by cinema, especially by horror films in their postmodern tendencies in the eighties. Thus, the traditional vampire becomes a creature who is addicted to blood and whose dependence, and mainly withdrawal symptoms, are recreated with the same iconography and interpretations with which the most traditionalist society perceived drug addicts. The development of the vampire metaphor not only reflects social fears of the threatening temptation of addiction and the fear of transgressors who use forbidden substances, but it influences the viewers in a thought-provoking way that reinforces social stereotypes." @default.
- W2564165030 created "2017-01-06" @default.
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- W2564165030 date "2016-09-01" @default.
- W2564165030 modified "2023-10-01" @default.
- W2564165030 title "Vampirism as a Metaphor for Addiction in the Cinema of the Eighties (1987-1995)" @default.
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