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• W2565687535 endingPage "217" @default.
• W2565687535 startingPage "197" @default.
• W2565687535 abstract "It is well known that common objects in the environment can evoke possibilities of action, but what about their bi-dimensional representation? Do pictures or paintings that represent action-related objects evoke the same possibilities of actions of the objects that they represent? In contemporary cognitive science, there are two contrasting views on this issue. On the one hand, the ecological-dispositional approach to perception supports the idea that viewing depicted objects as endowed with the potential for action is nothing but an illusion. On the other hand, recent findings show that our motor system is activated by the perception of both real and depicted action-related objects, and this activation plays a functional role in planning motor acts. A broad analysis reveals that the activation of the motor system during perceptual tasks plays a crucial rule in processing the practical meaning of the concrete objects and of the abstract representations of them. This evidence has consequences to our understanding of the way we experience pictures and paintings." @default.
• W2565687535 created "2017-01-06" @default.
• W2565687535 creator A5072478150 @default.
• W2565687535 date "2016-11-01" @default.
• W2565687535 modified "2023-09-23" @default.
• W2565687535 title "Through the Flat Canvas: The Motor Meaning of Realistic Paintings" @default.
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• W2565687535 doi "https://doi.org/10.13128/aisthesis-19425" @default.
• W2565687535 hasPublicationYear "2016" @default.
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