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- W2566632340 abstract "Although cinema is a comparatively young art form, there are already a number of works which have acquired the status of acknowledged classics in the domain of film theory. Among these one must surely include Hugo Miinsterberg's The Film: A Psychological Study.' First published in 1916, it is one of the earliest essays in the area of film theory. In his foreword to the 1970 Dover edition of Miinsterberg's study, Richard Griffith, former curator of the Museum of Modem Art Film Library, lamented the fact that the essay was not more widely known and discussed. In particular, he complained that Miinsterberg's essay had been neglected by other writers on the subject of film theory and that excerpts from his study were not included in the two major anthologies2 published prior to 1970 that contained selections devoted to film theory. Since then, however, the situation has changed markedly. A selection from Miinsterberg's essay is included in the recent Mast and Cohen anthology, Film Theory and Criticism.8 And J. Dudley Andrew's The Major Film Theories,4 an introductory text on film theory published in the spring of 1976, devotes a chapter to Miinsterberg. At the end of that chapter, Andrew attributes the following comment about Miinsterberg to the French film theorist Jean Mitry: How could we have not known him all these years? In 1916 this man understood cinema about as well as anyone ever will.5 To be sure, Mitry tends to overstate the case for Miinsterberg. But" @default.
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- W2566632340 date "1978-01-01" @default.
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- W2566632340 title "Film Theory and Hugo Munsterberg's The Film: A Psychological Study." @default.
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