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- W25744941 abstract "%e ravissement de V. is a novel about passion and analysis, about desire, insanity and obsessive re-creation. Marguerite Duras stated in an interview with Michele Porte: Loi V. Stein, c'est que vous en faites, ca n'existe pas autrement, crois que viens de dire quelque chose la sur elle.1 My aim in this article is to analyze issues of interpretation in the text, and to show how it may be read as a distressingly elusive tale of reading and deluded decoding.2 I will argue that Duras places as central figure in this drama of decoding Lol's friend, Tatiana Karl. Duras creates an image of female interrelation and interdependence between and Tatiana. I intend to reveal how this relation itself can be read as one of doubling and decoding. Tatiana as female reader sows doubt: she is Lol's witness, but her role is to lead us always to wonder what is seen and what merely dreamed. Duras places at the start of Lol's story a distressing scene of disclosure and abandonment to which the text incessantly returns: the interpretation of this scene appears to determine the text as a whole. It is important to establish first of all that Le ravissement de V. is a first-person narrative: Lol's story is told by a je whom we discover, approximately one third of the way into the novel, to be one of the characters, Jacques Hold. Duras makes it clear that Jacques is telling his own tale of which he carefully orchestrates: indeed he admits to not knowing at the time of her abandonment at T. Beach. He tells us that his narration will be mingled with ce que j'invente sur la nuit du Casino de T. (Loi 14) and he shows that it will be his own histoire de V. Stein written to convince the reader of l'ecrasante actualite de cette femme dans ma vie (Loi 14). Jacques Hold reads the night at the casino in T. Beach as the first moment when enters his destiny: Je vais donc la chercher, la prends, la ou crois devoir le faire, au moment ou elle me parait commencer a bouger pour venir a ma rencontre (Loi 14). The scene of closure and ending at T. Beach is re-viewed conversely as an opening. The narrative is destabilized further by the knowledge that Jacques Hold in part invents as he narrates and Duras draws doubt" @default.
- W25744941 created "2016-06-24" @default.
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- W25744941 date "2016-01-01" @default.
- W25744941 modified "2023-09-27" @default.
- W25744941 title "Duras and the Female Reader: Le ravissement de Lol V. Stein" @default.
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- W25744941 hasPublicationYear "2016" @default.
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