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- W2582495236 abstract "In 2010 and 2014 respectively, Cameroonian artist Herve Youmbi (1973-) embarked upon two multimedia projects: Totems to Haunt Our Dreams and Visages de masques. Multiyear endeavors, both were still unfolding at the time this article went to press. In Totems and Visages, Youmbi takes to task the structural violence of the art market, of the institutions and practices to which it gives rise and of the late-capitalist system to which they collectively belong. This paper proposes an analysis of the two projects, centering on key questions that they bring to the fore. In particular, it explores ways in which each engages with the phenomenon of market commodification. Also considered are concepts of perceived value, monetary worth and festishization, as well as notions of co-optation. Through a detailed comparison of ways in which the two projects address these and related concerns, a picture emerges of a simultaneously powerful and internally fraught political corpus of work." @default.
- W2582495236 created "2017-02-03" @default.
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- W2582495236 date "2016-10-03" @default.
- W2582495236 modified "2023-10-01" @default.
- W2582495236 title "Playing (in) the Market" @default.
- W2582495236 doi "https://doi.org/10.4000/etudesafricaines.18471" @default.
- W2582495236 hasPublicationYear "2016" @default.
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