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- W2586353368 abstract "In this paper I analyze empirically whether the audience attending classical concerts can be subdivided according to the ideas of Laermans (2002), following the lead of Howard Becker’s Art worlds (1984). Laermans distinguishes three groups in the audience, each having its own social characteristics, artistic involvement and aesthetic expectations. The core audience consists of people usually professionally involved in arts. This inner circle forms an actual part of the art world, i.c. musicians, producers, students and other classical aficionados. They participate most often and act as a sounding board for less experienced and less initiated listeners. The second group participates less frequently than the professionalized stratum and lacks formal training in musical conventions. However, they consist of interested and well-informed participants, who make up the economic and social basis of arts production. The third group consists of the incidental spectators or those who only incidentally attend classical concerts. Moreover, their motives for attendance are usually extrinsic to the art form, such as spending an evening out with friends or because they have been invited to attend." @default.
- W2586353368 created "2017-02-17" @default.
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- W2586353368 date "2006-01-01" @default.
- W2586353368 modified "2023-09-27" @default.
- W2586353368 title "Many-voiced or unisono? An empirical analysis of the internal stratification and the aesthetic expectations of the audience attending classical concerts" @default.
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