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- W2591170034 abstract "In Brideshead Revisited, Evelyn Waugh presents the role of the dandy as an explorer of the self through the experience of transient beauty, creating a search for the fleeting, the impressionable, and the alarming. To reach and beauty in the form of experience, the dandy must navigate his mundane surroundings, remaining necessarily aware of the commonplace, insufficient habits of culture while isolating himself and seeking out the unique. Crucial to this process is the preservation of his sense of creative autonomy. To do this, the dandy establishes degrees of separation from reality and creates his own sub-spheres, lenses of behavior through which he can interpret social codes. In Brideshead, this process is directly threatened when the dandy's distancing behavior is reconnected with reality. The dandy is challenged by the existence of the artist, who attempts to 'fix' each occasion or 'scene' of the art that is the dandy's behavior. In this context, Waugh presents the threat to dandy figures as a stagnancy of normalcy; a re-imposition of cultural ennui that perverts the immediacy of experience that characterizes the dandy's life art." @default.
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- W2591170034 date "2013-03-19" @default.
- W2591170034 modified "2023-09-23" @default.
- W2591170034 title "Corruption and Conversion: The Artist and the Dandy in Brideshead Revisited" @default.
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