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- W2595674799 abstract "This chapter considers how the use of screens within dance performances and installations affects the ways in which audiences and participants experience bodies in space. Can bodies of physical flesh and virtual light transcend the dimensions ascribed to them traditionally by the material world and the projection screen? My discussion references mixed reality and the phenomenon that has become known as “ubiquitous computing”, in recognition of how digital technologies are becoming increasingly embedded in our social and cultural experiences. Three dance or dance-related examples are examined in detail: Cunningham’s Biped (1999), igloo’s SwanQuake: House (2008) and Sermon’s Telematic Dreaming (1992-present). These pieces use a range of approaches to the body and the screen that employ and sometimes challenge Euclidean and relational space and Newtonian physics. There tend to be two ways of designing for virtual reality—a realist perspective that aims to create an environment comparable to the physical world, and an alternative mode that highlights things that can only exist in the virtual world—yet both of these can easily create binaries that disrupt embodied experiences by prioritizing concept over sensation. This chapter concludes by suggesting that dance has much to offer in developing understandings of how the body and technology can manage and overcome binary tendencies within a mixed reality environment." @default.
- W2595674799 created "2017-03-23" @default.
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- W2595674799 date "2016-08-04" @default.
- W2595674799 modified "2023-09-23" @default.
- W2595674799 title "Transcending dimensions: physical and virtual dancing bodies" @default.
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- W2595674799 hasPublicationYear "2016" @default.
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