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- W260053606 abstract "In this essay, I draw on cultural critic Homi Bhabha’s notion of “the borderline artist” to frame a discussion of translation and curatorial projects featuring works by contemporary women artists in Japan. First, I discuss ways in which the work of Korean American artist Theresa Hak Kyung Cha (1951-1982) has served as one of a number of catalysts for transnational dialogue and “borderline” art in Japan. After briefly discussing works by Idemitsu Mako and Shimada Yoshiko that were exhibited in Borderline Cases: For Women on the Borderlines, (2004), I introduce several recent works by Oh/Okamura Haji as vitally important examples of “art on the borderlines” in contemporary Japan." @default.
- W260053606 created "2016-06-24" @default.
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- W260053606 date "2007-01-01" @default.
- W260053606 modified "2023-09-23" @default.
- W260053606 title "Personal geographies, public spaces: contemporary art on the borderlines in Japan" @default.
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