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• W2603046424 abstract "Ladislav Palfi (b Subotica, 1924 - d Skopje, 2008) is considered as one of the most distinguished figures in the development of art of piano playing and piano pedagogy in Macedonia, particularly in the period after WWII. The reconstruction of Palfi's activities has been done through analysis of artifact databases, with a special emphasis on Palfi's audio recordings and concert repertory. The paper examines the structure of the main artifact catalogue, as well as the two extracted sub-catalogues; and reports the results of the statistical analysis of the data, which are at the end synthesized in four main points of Palfi's activity significant for the postwar development of Macedonian music culture. Macedonian music artists, until recently, were not the central topic of Macedonian musicological papers. Macedonian composers were the ones that were mainly analyzed, and for obvious reasons: it was considered that the compositional creativity has been the main identifier of the Macedonian music culture. On the other hand, the analysis of compositional work has more available physical artifacts, scores, audio and video recordings. The interest for the Macedonian pianism in the recent years, corresponds to the new climate in Macedonian musicology where, given the sufficient temporal distance, Macedonian musicology can objectively assess the music culture and history, and its protagonists. First Macedonian pianist and piano pedagogues can be located in the first music schools, the Macedonian Opera and the ensembles of the Macedonian Radio. Most of the piano teachers in this initial period of professional art of piano playing in Macedonia were performing as accompanists both on the concert stages and the Macedonian Opera, and were performing regularly on the live programs on Radio Skopje. Among them stands out the name of Ladislav Palfi, which up to this day has been synonymous with the first steps of Macedonian pianism. In the memory of the wider Macedonian public Ladislav Palfi still lives as greatness and undisputed peak in the Macedonian pianism. In addition to this, Palfi is remembered for his unusual, unconventional lifestyle, creating an aura which turned him into a legend. Despite these findings, he is not adequately presented in the Macedonian musicological literature, i.e., Palfi has rarely been studied until now. There is a literary work (novel), Evgenij Ladislav Palfi (not) forgotten genius, dedicated to his life and work, which was written by Dr Vladan Velkov (electronic edition, 2008; and the book, 2009), a neuropsychiatrist who was taking care of Palfi for five years. The book sheds light on the personality and reconstruction of (part) the biographical data, but excludes the musicological and artistic analysis and evaluation. The lack of work on Palfi as a pianist has been the main reason to start this research. 362 collected items on Palfi and by Palfi, were annotated and entered in the main artifact catalogue. In order to avoid an overload of the main catalog with a large number of columns, we have created additional four sub-catalogues of audio recordings, photographs, concerts and TV music programs (the second and the fourth have been omitted in the paper, due to the specific nature and the number of available artifacts). The audio recordings catalogue consists of 200 performances for the Macedonian Radio and the Music Production of the National Broadcast Service. The concerts catalogue analyses 63 program notes on Palfi's concerts. Ladislav Palfi's pioneering role for the pianism in Macedonia has been confirmed through a range of activities, with emphasis on Palfi as a concert pianist, Palfi as a recording artist, Palfi as a Opera and Ballet accompanist, and Palfi as a piano pedagogue, respectively." @default.
• W2603046424 created "2017-04-07" @default.
• W2603046424 creator A5052547041 @default.
• W2603046424 date "2017-01-01" @default.
• W2603046424 modified "2023-09-30" @default.
• W2603046424 title "Reconstruction of Ladislav Palfi's pioneering work in the development of pianism in Macedonia" @default.
• W2603046424 doi "https://doi.org/10.5937/artefact3-12066" @default.
• W2603046424 hasPublicationYear "2017" @default.
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