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- W2605777817 abstract "SummaryThe American painter and artist of ephemeral, mythical environments, Paul Thek (1933–1988), commented on his position as an American artist in his home country by realizing some key works after having left the New York art scene for Europe at the end of the 1960s: Dwarf Parade Table (1969–1973), Fishman (1969) and Shrine (1968–1972). These works are strikingly connected by their genealogy, a similar use of Polaroids and other photographs that document different stages of their creation process, and striking commonalities in their iconography. The essay highlights not only these interconnections, but also puts them into a relationship with a set of unpublished writings found after his early death in 1988. These writings of a »silent revolt« give further insight into the artist's critical and so far ignored attitude towards the art world of the United States during the late 1970s." @default.
- W2605777817 created "2017-04-28" @default.
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- W2605777817 date "2017-04-17" @default.
- W2605777817 modified "2023-09-23" @default.
- W2605777817 title "Paul Thek: Between Art Criticism, »Silent« Revolt and the Question of Failure" @default.
- W2605777817 doi "https://doi.org/10.1080/00233609.2017.1311938" @default.
- W2605777817 hasPublicationYear "2017" @default.
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