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- W2608398130 abstract "This essay examines the way in which narrative diegesis and dramatic mimesis interact in Browning’s Balaustion’s Adventure , Including a Transcript from Euripides, a long poem in blank verse made of 2705 lines. The complex structure of this poem may be divided into four main sections: 1) an opening narrative frame, where Balaustion tells her four friends how she saved herself by reciting Euripides’ Alcestis at Syracuse; 2) the full version of Alcestis , which is not only recited by Balaustion but also commented upon; 3) a personal version accompanied by a new interpretation of the play; 4) a closing narrative frame, where Balaustion affirms Alcestis ’ extraordinary value. In particular, the essay focuses on the frame with the aim of exploring the structural originality of the poem and its hybrid texture: with regard to the literary genre, the frame blends drama, historical narratives and epics; as for the mode, mimesis and diegesis alternate in almost every section. What lends continuity to the text is Balaustion, narrator and main character, spectator and performer: with her performative speech-acts, it is she who directs the succession of diegesis and mimesis. Finally, the poem has also a metapoetic function, that consists in the glorification of the extraordinary power of poetry." @default.
- W2608398130 created "2017-05-05" @default.
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- W2608398130 date "2016-12-31" @default.
- W2608398130 modified "2023-09-22" @default.
- W2608398130 title "The Frame Story in Robert Browning’s Balaustion’s Adventure" @default.
- W2608398130 doi "https://doi.org/10.13136/sjtds.v2i2.75" @default.
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