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- W2609878018 abstract "Australian Indigenous photographer and filmmaker, Michael Riley, a Wiradjuri and Kamilaroi man, died at the height of his artistic career in 2004 at the age of forty-four. Among many things, Riley explored the colonial impact of Christianity with reference to the Bible as a material artefact of colonization. Colonial contact in Australia is a complex, often violent, ‘touch’ where colonial violence and ecological destruction intersect. Riley’s series Sacrifice (1992) draws on Christian imagery to comment on the cultural impact of Christianity on Indigenous peoples in Australia, but without explicit reference to the Bible. The Bible appears in his flyblown (1998) and cloud (2000/2005) series expressly in relation to the land and ecological impacts of colonization. With reference to Riley’s images of the Bible, this essay explores the theme of touch in the Gospel of Luke in conversation with the ongoing event of colonial contact in Australia. I argue that a pattern of compassionate touch can be read in the Gospel of Luke unsettling patterns of violent relatedness. But in the dual context of colonization and ecological destruction in Australia, the materiality of the text intersects with my interpretation in multiple, complex ways such that my potentially counter-colonial reading of the text is not free of the impacts (for good or ill) of the text as a material artefact of colonization. Riley’s imagery suggests that the tragic ambiguity of the Bible as a cultural artefact of the colonizers may open to hope through kinds of Indigenous resistance to, and enculturations of, the Bible." @default.
- W2609878018 created "2017-05-05" @default.
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- W2609878018 date "2017-02-09" @default.
- W2609878018 modified "2023-09-23" @default.
- W2609878018 title "Michael Riley’s Bible and the Touch of the Text (with reference to the Gospel of Luke)" @default.
- W2609878018 hasPublicationYear "2017" @default.
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