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- W2611976352 abstract "This paper uses Lacanian theory to argue that, in Stanley Kubrick’s A Clockwork Orange, the staging of violence is structured by means of a fundamental fantasy. This both implies that the film’s violence is structured by the formal scenario “c observes how a overpowers b” and that, on the level of the film’s narrative, this scenario is associated with enjoyment. For example, the film’s central character, ‘Alexander De Large’, subsequently takes up and enjoys each of the three positions of the described scenario. Moreover, and beyond the level of the film’s narrative, we reveal that the film structurally implies it’s audience in the staging of this fundamental fantasy, which leads up to a new interpretation of the film’s ultimate aim: to evoke enjoyment in observing scenes of violence within it’s spectator." @default.
- W2611976352 created "2017-05-19" @default.
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- W2611976352 date "2010-01-01" @default.
- W2611976352 modified "2023-09-27" @default.
- W2611976352 title "'Leave me glazzies!' A Lacanian perspective on the staging of violence in Stanley Kubrick's a clockwork orange" @default.
- W2611976352 hasPublicationYear "2010" @default.
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