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- W2613023208 abstract "The concept of unity in musical analysis is both pervasive and problematic. In this paper I explore this concept, acknowledging both its potential utility and the serious criticisms leveled against its use. I take as my starting point an exchange initiated by the publication of an article by Robert P. Morgan entitled, ―The Concept of Unity and Musical Analysis,‖ as well as the work of five scholars whose work Morgan discusses. From this exchange, as well as the larger discourse on musical unity, I make observations about aspects central to the concept. In particular, I explore three questions: Is unity a singular concept? What is the relationship between unity and its opposites? Is a search for unity inherent in musical analysis? Through this exploration, I provide several important ways in which the concept may be clarified for more effective analytical use." @default.
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- W2613023208 date "2012-01-01" @default.
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- W2613023208 title "The Concept of Unity in Musical Analysis: Some Ontological Issues" @default.
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